In the days of the westward movement women were second class citizens. It’s important to remember that when writing historical stories, whether they be romances or westerns. With few exceptions women weren’t much more than slaves. So a heroine would probably be trapped in this sort of situation. The man, her master, may be her father or an elder brother who’s now the head of the family or even someone her family sold her to. He might be the man she works for, as in cooking, cleaning, washing. Or she could be an innocent girl caught up in the life of a “soiled dove,” or a widow battling being alone again.
Consider the set-up of a few of my books to see how these poor ladies are situated: In IMAGES IN SCARLET, my heroine, Allison Caine, lives in Missouri. It’s 1866. Her family…
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